- These people (the contestants, the judges, Haylie Duff) take the character of Elle Woods way too seriously. I have actually considered making a drinking game based on the show, where I would take a drink every time someone talks about how awesome Elle (the character) is or mentions the "spirit of Elle Woods." However, I quickly came to the conclusion that this would only lead to alcohol poisoning. This also begs the question: why is Elle so great?
- Despite the talk of the "spirit of Elle Woods" (the participants and judges invoke her name like she's a patron saint), this reality show illustrates the main reason why I got out of theatre: everyone in it loves to create behind-the-scenes drama. As a former stage manager, it gets old. Trust me.
- The show is very poorly constructed. As several over at the TWOP boards have mentioned, Heather Hach did a really poor job writing the show since Elle is on stage the entire time singing and running around. While the character is definitely not the most complex (the puppets in Avenue Q arguably have more meaningful emotional moments than she does), the fact that she's always doing something makes it an insane role.
- The songs in the musical aren't good, but they have an ear worm quality that ensures that you will never, EVER forget them if you have heard them once. Like "Memory" from Cats or anything by Frank Wildhorn, these songs will never go away (even if you try to erase them a la Eternal Sunshine of a Spotless Mind).
- Is this musical seriously supposed to present a good role model for girls? Really? It is probably one of the most hypocritical shows ever, but it has been wrapped in a feel-good, quasi-sisterhood moral so some people might actually believe that it has a true moral center (it really doesn't).
Sunday, July 13, 2008
Legally Blonde, the Musical: The Search for the Next Elle Woods
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1 comments:
"If I hate something, I can't just passively hate it."
That sentence made me laugh and laugh and laugh. It's so true!
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